Saturday, April 25, 2020

Marlow Essays - Joseph Conrad, Charles Marlow, Heart Of Darkness

Marlow Marlow's Catharsis in Heart of Darkness Conrad's novel, Heart of Darkness, relies on the historical period of imperialism to illuminate its protagonist, Charlie Marlow, and his struggle with two opposite value systems. Marlow undergoes a catharsis during his trip to the Congo and learns of the effects of imperialism. I will analyze Marlow's change, which is caused by his exposure to the imperialistic nature of the historical period in which he lived. Marlow goes to the Congo River to report on Mr. Kurtz, a valuable officer, to their employer. When he sets sail, he does not know what to expect. When his journey is complete, his experiences have changed him forever. Heart of Darkness is a story of one man's journey through the African Congo and the enlightenment of his soul. Marlow begins his voyage as an ordinary English sailor who is traveling to the African Congo to work. He is an Englishmen through and through. He has never been exposed to any culture similar to the one he will enc ounter in Africa, and he has no idea about the drastically different culture that exists there. Throughout the book, Conrad, via Marlow's observations, reveals to the reader the naive mentality of Europeans. Marlow also shares this naivet? in the beginning of his voyage. However, after his first few moments in the Congo, he realizes the ignorance he and all his comrades possess. We first recognize the general naivet? of the Europeans when Marlow's aunt sees him for the last time before he embarks on his journey. She assumes that the voyage is a mission of weaning those ignorant millions from their horrid ways [. . .] (line 16). In reality, however, the Europeans are there in the name of imperialism and their sole objective is to earn a substantial profit by collecting all the ivory in Africa. The reader can also see the Europeans obliviousness of reality when Marlow is recounting his adventure aboard the Nellie. He addresses his comrades: When you have to attend to things of that so rt, to the mere incidents of the surface, the reality--the reality I tell you---fades. The inner truth is hidden luckily, luckily. But I felt it all the same; I felt often its mysterious stillness watching over me at my monkey tricks, just as it watches you fellows performing on your respective tight ropes for---what is it? half a crown a tumble . . . . (36) While he is in the Congo, although he has to concentrate on the petty everyday things like overseeing the repair of his boat, he is still aware of what is going on around him and of the horrible reality he is in. On the other hand, his friends on the boat simply do not recognize this reality. It is their ignorance and innocence which provokes them to tell Marlow to try to be civil (36). Not only are they oblivious to the reality that Marlow sees, but their naivet? is so great that they can not even comprehend such a thing (Johnson 356). Quite surprisingly, this mentality does not pertain exclusively to the Englishmen in Europe. At one point during Marlow's voyage down the Congo, he wakes to find his boat in an enormous patch of fog. At that very instant, a very loud cry is let out (41). After Marlow looks around and makes sure everything is all right, he observes the contrasts of the whites and the blacks expressions: It was very curious to see the contrast of expression of the white men and of the black fellows of our crew, who were as much strangers to that part of the river as we, though their homes were only eight hundred miles away. The whites, of course greatly discomposed, had besides a curious look of being painfully shocked by such an outrageous row. The others had an alert, naturally interested expression; but their faces were essentially quiet[. . .]. (41-42) One can see the simple-mindedness of the Europeans, even though they were exposed to reality. An innocent mentality is engraved in their minds so deeply that even the environment of the Congo can not sway their belief that people simply do not do the

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